niponica

2022 NO.32

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Japan: A Culture Nurtured by Wood

5


Exploring the Fragrances of Wood

Kodo, meaning the “way of fragrance,” is as respected in Japan as tea ceremony and flower arrangement. Wood plays an important role in this special art of appreciating incense.

Cooperation and photos: Nippon Kodo Co., Ltd., Koju

Cover your hand lightly above the burner to “listen” to the fragrance. These graceful gestures are part of kodo etiquette. (Photo: PIXTA)

Left: In kodo, a combination of six types of incense are used.
Right: Sandalwood has a woody aroma. In addition to incense, it is also used for carving Buddhist statues and making crafts.

As the culture of scent developed in Japan, it has been inextricably linked with the wood of incense trees. Incense, or koboku literally “fragrant wood” in Japanese, is said to have come to Japan with the introduction of Buddhism to the country, and it was initially used to purify the space in front of a Buddhist altar. Starting in the 8th century, aristocrats began burning incense pastilles, a mixture of powdered fragrant wood and other aromatic ingredients, to scent their rooms and clothing. The ceremonial aspect of burning incense later became popular among samurai. Eventually, the art of appreciating incense and fragrance, became codified as kodo in the 16th century.

There are two main type of koboku incense used in incense ceremonies: sandalwood and agarwood. From trees in the Santalaceae family, sandalwood has a sweet aroma and is used for items associated with Buddhist altars. Agarwood is a tree in the Thymelaeaceae family which secrets a resin when cut or felled. This resin, solidified over many years, becomes an aromatic substance that emits scent when warmed. Although the fragrance varies from tree to tree, the highest grade of agarwood resin, called kyara, has been highly prized since ancient times.

In kodo, participants “listen” to the fragrance as they appreciate the aroma of incense warmed in small ceramic burners called koro. Each scent’s individual qualities are then described in terms of flavor, perhaps as sweet, sour, or bitter, for example. The incense ceremony also involves courtly games such as kumiko. Participants listen to several different types of incense, describing the aromatic differences and identifying the one related to a specific waka poem. Even slight changes in the weather or humidity level can change the fragrance of an incense, making this game quite difficult. The point is not whether one wins or loses, but the pleasure of savoring the scent wafting from a chip of fragrant wood, letting it take your imagination to seasonal pleasures and literary fancy.

A koro incense burner used in kodo ceremonies. A small bit of incense about 2mm square is warmed atop a flake of mica (ore) placed over charcoal ash.

Taking part in kumiko, participants “listen” to several types of burning incense to see if they can distinguish the aromatic differences.

Taking a moment to focus intently on a fragrance and what it stirs in you has much in common with meditation.

One of the most famous kyara in existence is the Ranjatai. It is held in the Shosoin repository, which houses Imperial treasures dating back to the 8th century. It weighs 11.6kg and measures 156cm in length.

Joys of Japanese Fragrance

Western aromatherapy involves specific notable scents such as rose, lavender, and peppermint — fragrances you recognize instantly when you encounter them. By contrast, the abstract fragrances of incense conjure unique worlds shaped by the emotions they elicit. Since the sense of smell effects all of the other senses, the art of appreciating incense sharpens sight, touch, taste and hearing, as well, enhancing the way the body functions.

Based on conversation with Inagaki Yoshihiro (Koju)